Academics who do not know what a woman is should not be the taxpayer-funded gatekeepers of women’s history. But ever since Congress authorized the Smithsonian American Women’s History Museum in 2020, the Smithsonian Institution has made it clear that gender ideology matters more than biological truth in its version of women’s history.
Congress’s next move on the project is to grant the Smithsonian federal land on the National Mall for the museum. In a House Natural Resources subcommittee hearing last month on the subject, Congressman Tom Tiffany (R-WI) pressed a Smithsonian Institution representative with a simple question: “How can we be sure that the women celebrated in the Smithsonian American Women’s History Museum are not men?”
The Smithsonian staffer dodged the question, and subcommittee members ripped the congressman for what they deemed a baseless inquiry. But the question hit the nail on the head: the Smithsonian pretends that men can be women.
While the brick-and-mortar Smithsonian American Women’s History Museum has yet to earn a permanent building, the Smithsonian’s mobile exhibits prove Rep. Tiffany correct. In its 2023 exhibit “Girlhood: It’s Complicated”, the Smithsonian exhibited Jazz Jennings, a trans-identifying male reality TV star.
If the Smithsonian flunks a single-room exhibit, how can they be trusted with an entire building? The Smithsonian’s feature of Jazz in its “Girlhood” exhibit is flagrantly disqualifying.
Read the rest of the op-ed at The Daily Wire.
